Showing posts with label newspapers. Show all posts
Showing posts with label newspapers. Show all posts
Friday, September 13, 2013
At Loose Ends
Settling in, trying to see where I fit in, what I'm supposed to do ... some days I'm at a complete loss. Some days I lay around and watch home improvement shows on TV. And try to improve my Candy Crush Saga score. Some days I have maniacal energy, trying to do everything at once because that's how I always got things done in the 37 years I've been working.
At 15 I tried selling Avon door-to-door. (I think that lasted about 10 minutes.)
Then I was slapping frozen "cheezeboigers" on the grill at the Markham Burger & Dairy Bar, where the scowling Greek owner named George, who sounded exactly like John Belushi on Saturday Night Live, was always telling me, "Coffy make coffee, two Peepsis, hamboiger, hamboiger."
I was a waitress. Once. For part of a summer. Until I was picking up plates one day and accidentally dropped a butter knife covered in yellow mustard all over a snooty man's white golf shirt. He had no sense of humour, and then I had no job.
I did these things – badly – knowing that I would go to college and become what I really wanted to be when I grew up.
A reporter.
(Imagine a glowing light surrounding that word, and angels singing from heaven.)
I studied community journalism but left school early to get a job because this was in the early 1980s and a recession was making jobs incredibly difficult to come by (thanks to my cousins Debi and John for putting me up and tipping me off about the job in the first place). I figured it was more important to get my foot in the door than finish up the last month of college and, as it turned out, I was right. Only a few of my classmates wound up pursuing newspapers as a career.
The job paid crap. By the time I paid my rent, car payment and bought gas, I was broke.
The hours were long. I had meetings just about every night (council, school board, community groups) and every weekend was full with events like fall fairs, regattas, hockey games, curling bonspiels and bowling banquets.
I spent every Monday morning in the darkroom, processing a week's worth of film and making prints. I'd be there for six or seven hours at a stretch, inhaling noxious chemicals and developing the eyesight of a mole. When I emerged, I had to finish writing any stories I had left to the last minute, then help out in the production room where the paper was laid out with the help of an x-acto knife and melted wax. It was a badge of honour to cut yourself but bleeding on the unfinished galleys meant starting over from scratch. By the time the paper was "put to bed," it was late. At one of my first jobs, the Milton Tribune, our crew didn't finish the paper until the next morning. Things were more coordinated at the Port Perry Star and we usually finished by 10 o'clock, which gave us time to have a drink at the local watering hole. (It's where I met my first husband – he was the bartender and he used to make fun of the "rag" I worked for.)
Sometimes I took the paper to the printer's and waited for them to fill the van with a whole town's worth of papers. If that was the case I was up at the crack of dawn. Usually though I wandered into the office around 8 a.m. to help stuff flyers into the paper and prepare issues for mailing. When that backbreaking work was done, I had my own delivery route: I took papers to post offices and stores in the northwest corner of our township. Like the mailman, I delivered papers in all kinds of weather, including one time during a wicked snowstorm when I put the van in the ditch.
Delivery took all day. If I was lucky, I'd get to go home and go to bed. Often I had to go home, grab a shower, and head out to cover a meeting.
By Wednesday morning I felt like had been run over. But I dragged myself into the office for our weekly "story meeting" in which we discussed news and events that needed coverage in the coming week. The rest of the week was a blur of covering stories, phone interviews, photo ops and writing, writing, writing. Newspapers were big empty vessels in those days, not crammed to the top with advertising as they are today. It took a lot of words to fill those pages and I became adept at writing long feature stories to take up space.
I remember, back in high school, freaking out about having to write a 1,000 word essay. We were given a month to write something that long! At the newspaper, it was nothing to crank out 5,000 to 10,000 words in a week. There was no time for agonizing over every word – it was a matter of typing your fingers to the bone and moving on to the next story.
There was no overtime. No lieu time. The job consumed all of my waking hours and I loved it and I hated it and I couldn't imagine myself ever doing anything else.
I left my last newspaper job in May and I doubt if I will ever work for another one. The internet truly has killed newspapers. People don't need to wait for the weekly newspaper to arrive in their mailbox – they see it on Facebook, or Twitter. They hear it on the car radio, or on the 6 o'clock news. Everywhere, all across the world, newspapers are dying. Even the biggest, most successful of the once mighty media giants are going out of business.
Some day I'm going to write more about my newspaper life.
For now, I'm just trying to figure out what to do with all this free time I suddenly have, now that I don't have to fit laundry, dishes, cooking and rest-of-my-life in the short time not spent at the office. I'm like a bird that has been encased in a gilded cage, suddenly freed, and not sure what to make of the wide world that is waiting for it to fly.
I think I'll take a lesson from my cat, who spends every morning in his chair, his ancient arthritic bones soaking up warm sunshine. He doesn't worry about the why, or the wherefore or the how-to.
He just does.
I think I want to be him when I grow up.
Wednesday, May 16, 2012
Arthur needn't worry
Well you could have knocked me over with a chickadee feather! Maybe even a hummingbird feather. No, maybe a BABY hummingbird feather – now that's a little feather!
I was in the lunch room at work, foraging for iceberg lettuce with carrot croutons (num-num-num), when I was approached by the lovely and talented Pamela Steel who, as well as being my friend, is also the editor of the Bracebridge Examiner and the Muskoka Weekender. She's a big cheese, a femme de fromage, and while she is hilarious she takes her job seriously and would never jeopardize it just to kiss my extra-round lily white ass.
So when she asked if I could start running my blog posts as a column in the Weekender, I was gob-smacked. Suddenly I was channelling Sally Field from her infamous Oscar acceptance speech. "You like me! You really like me!"
Pamela said something like, "What's not to like?" and flattered me just enough to make me feel like the second coming of Woodward and Bernstein. She even said, "If it works out, I think maybe you can replace Arthur Black." Ooooooh...that's heady stuff. Arthur Black is a syndicated and popular columnist who has been running a column in the Weekender since, well, I have no idea but it's been a heck of a long time.
After my head-swelling conversation with Pamela I danced back to my desk and shared our conversation with my workmates, thinking they would be thrilled with my news. Well, they started out happy for me but when I said, "and if it works out, I might even replace Arthur Black," thrilled wasn't the reaction I got.
"They're gonna pull Arthur Black?"
"But I love Arthur Black."
"YOUR blog is going to replace Arthur Black? Really? Are you sure?"
"His column is my favourite thing in the whole newspaper."
"Oh."
Nobody said, "Geez, Cathy, that's AWESOME! You're WAY funnier than Arthur Black! Congratulations! You rock! You are a rocking STAR! Screw Arthur Black! Way to go!"
Nope. Nobody said that. They just made wry faces and went back to work. Like I had just announced they weren't getting paid this week. Obviously Arthur Black needn't worry about me taking over his Bracebridge newspaper crown. He is much beloved (for good reason).
Anyway. (Sigh.) I have to go through my blog posts and come up with some that are funny but aren't libellous, that don't have the feck word too many times and are local enough to appeal to a local crowd. I think that narrows my selection down to about two. Feck.
Whoops. There goes another one.
Wednesday, March 21, 2012
A nice guy
I've gotta say I've fallen head over heels in love with my job this week. (I'm nothing if not fickle but apparently my reproductive organs claim it's my prerogative.)
The reason for this burst of starry-eyed affection is the vice president of the company. He's been working out of our office this past week or so, giving us leadership in a crisis. Our beloved general manager had a heart attack last week and is still in serious condition – we miss him terribly and hope, pray and wish he gets better SOON.
I never knew our vice president. Our company is a big one, encompassing most of Ontario, and the VP works in a city an hour away from me. I knew what he looked like. I'd seen him occasionally but usually his presence struck the fear of god into me. It was like, uh oh, HE's here – we're in trouble now! But, at the risk of sounding inane, he's WONDERFUL.
Every morning he brings his coffee, or his tea (Water? Hooch? Who knows? It's something in a mug!) and strolls casually through the entire building, saying hello to EVERYONE. Not just hello – he asks us how we're doing; how our projects are coming along. Heck, he even talks about American Idol with us! On Sunday he baked Montreal-style bagels with his own hands and brought them into the office along with real butter and honey. Yesterday he bought pizza for everyone at lunchtime. (I managed to avoid both treats – I appreciate the gesture immensely but I'm back on the Weight Watchers Wagon.)
The food was nice but was secondary compared to the fact he TALKED to us. It's easy, in a big corporation, to feel like you're a tiny mouse hiding in the corner of a gigantic building. There are so many levels of management; there are so many people. It's easy to get lost in the shuffle and feel you're not important; that your work isn't valued; that you have nothing to contribute.
This isn't anyone's fault but generally I feel like I'm hiding my light under a bushel basket. In the past I have worked for many small, independent newspapers where everyone helped do everything. There were no lines between editorial, or production, or sales, or circulation. I was a reporter/photographer most of the week; on Monday morning I was a darkroom technician; on Monday afternoon I was a graphic artist; and on Tuesday morning I had a paper route. On Wednesdays we had staff meetings where everyone got together to plan the next issue. We threw ideas out there; we got excited – it was fun! And we produced award-winning newspapers. Personally I won several newspaper association awards in writing and design categories. (There was no award for delivering papers – but there should be!)
Things are different in a big company. Sure, each of the departments have meetings but rarely does everybody in an office get together in the same room and hash out ideas. I understand that's hard to do but, honestly, you miss out on a lot of ideas when you don't involve everyone. You also risk dampening the enthusiasm of people who want to contribute but don't feel they're part of the team.
Our VP knows this. He knows that the simple act of talking with everyone brings out their best. And isn't that what every company man wants? Excited, enthusiastic employees who love their jobs?
I'm certainly loving mine.
Now excuse me – I've gotta get my butt moving or I'm gonna be late for work.
The reason for this burst of starry-eyed affection is the vice president of the company. He's been working out of our office this past week or so, giving us leadership in a crisis. Our beloved general manager had a heart attack last week and is still in serious condition – we miss him terribly and hope, pray and wish he gets better SOON.
I never knew our vice president. Our company is a big one, encompassing most of Ontario, and the VP works in a city an hour away from me. I knew what he looked like. I'd seen him occasionally but usually his presence struck the fear of god into me. It was like, uh oh, HE's here – we're in trouble now! But, at the risk of sounding inane, he's WONDERFUL.
Every morning he brings his coffee, or his tea (Water? Hooch? Who knows? It's something in a mug!) and strolls casually through the entire building, saying hello to EVERYONE. Not just hello – he asks us how we're doing; how our projects are coming along. Heck, he even talks about American Idol with us! On Sunday he baked Montreal-style bagels with his own hands and brought them into the office along with real butter and honey. Yesterday he bought pizza for everyone at lunchtime. (I managed to avoid both treats – I appreciate the gesture immensely but I'm back on the Weight Watchers Wagon.)
The food was nice but was secondary compared to the fact he TALKED to us. It's easy, in a big corporation, to feel like you're a tiny mouse hiding in the corner of a gigantic building. There are so many levels of management; there are so many people. It's easy to get lost in the shuffle and feel you're not important; that your work isn't valued; that you have nothing to contribute.
This isn't anyone's fault but generally I feel like I'm hiding my light under a bushel basket. In the past I have worked for many small, independent newspapers where everyone helped do everything. There were no lines between editorial, or production, or sales, or circulation. I was a reporter/photographer most of the week; on Monday morning I was a darkroom technician; on Monday afternoon I was a graphic artist; and on Tuesday morning I had a paper route. On Wednesdays we had staff meetings where everyone got together to plan the next issue. We threw ideas out there; we got excited – it was fun! And we produced award-winning newspapers. Personally I won several newspaper association awards in writing and design categories. (There was no award for delivering papers – but there should be!)
Things are different in a big company. Sure, each of the departments have meetings but rarely does everybody in an office get together in the same room and hash out ideas. I understand that's hard to do but, honestly, you miss out on a lot of ideas when you don't involve everyone. You also risk dampening the enthusiasm of people who want to contribute but don't feel they're part of the team.
Our VP knows this. He knows that the simple act of talking with everyone brings out their best. And isn't that what every company man wants? Excited, enthusiastic employees who love their jobs?
I'm certainly loving mine.
Now excuse me – I've gotta get my butt moving or I'm gonna be late for work.
Tuesday, August 16, 2011
The 10-Pound Ribbon
There's a new blue ribbon in my Weight Watchers kit, the kind of ribbon a prize pig gets at a county fair. "I LOST 10 POUNDS," it proclaims in bold gold lettering. The 10 is inside a gold star.
Stupid ribbon. What am I going to do with a ribbon? Am I going to pin it on my shirt and wear it to work today? (Does the fat lady really want to draw more attention to herself by increasing the resemblance to Babe?) I will probably wind up taping it to the fridge door. Then, every time I think about eating something I shouldn't, I'll see that ribbon and think twice. Still, it's just a dumb ribbon. So why did I care so much when I almost didn't get it?
Last night I went to my Weight Watchers meeting, my third one, and I was a little disappointed when I only lost one and a half pounds. Yes, it's still a loss but, compared to the nine and a half pounds from last week it seemed a minor accomplishment. "Oh, only one and a half pounds?" I said to the lady weighing me. She made a face at me when she was filling in my information. "You've lost 11 pounds in three weeks," she snapped. "That sounds like a pretty amazing weight loss to me."
There are all kinds of rewards at WW; things like star stickers and ribbons and key chains. I can't even tell you what they are because I'm new and I haven't figured it all out yet. At the end of each meeting the leader goes through the reports from everybody's weigh-ins and announces milestones like who has reached their goal; who has lost 5% of their body weight; and who has lost 10 pounds. I thought, I've lost 10 pounds, and waited for the leader to call my name.
She never did call my name. She called many other women's names, but mine wasn't among them.
I felt ignored. Unimportant. And kind of mad, too. I asked the woman behind me, "Did you get that for losing 10 pounds in one week?" She shook her head. "No, it's just for 10 pounds, period." So I stuck up my hand and when the leader called on me I said, with some embarrassment, "So you get a ribbon when you lose 10 pounds?" She said yes. Then I said, "I lost 10 pounds. Actually I lost 11 pounds." And she made a big fuss and came over and gave me a ribbon and I felt my face go red, but in a good way. The leader then proceeded to say that when we reach a milestone we have to let the ladies at weigh-in know so they can write our names down on the sheet and claim our rewards. "You have to ask," the leader said. "You've earned it. You deserve it. Make sure you ask."
Funny how life is. Yesterday I had a similar thing happen at work. Our company is launching a brand new newspaper and I was asked to design it. The whole newspaper. Exciting, right? I know! I have designed an entire newspaper once before and it was the most fun I ever had in my job. And quite an honour. To me it is a sign of respect that I was asked to perform such an important function. I'm also aware that I'm saving the company big money. Once upon a time, a long time ago in a land far away, I worked in the big city for a national medical magazine. When it was time to have the publication redesigned, the company paid half a million dollars for a big-name designer and his crew do the work. That man has designed some of the most prestigious publications in the world. Now, I don't even pretend to produce the kind of work he does and my stuff isn't even close to being worthy of that kind of dough. Still, I produced a good-looking style for the newspaper, a style that was accepted by my superiors with nothing but praise, for only the cost of my regular wage. In other words, cheap!
Today our first issue goes to press so yesterday was all about getting down to the nitty gritty. Part of what I did yesterday was design a two-page spread outlining the 'who we are' part of the paper. The editor had given me a rudimentary map: he wanted pictures of the big wigs here and pictures of the not so big wigs there, and he divided the paper into three departments: sales, editorial and distribution. There was no composing department. No recognition of my work as the designer and as the ongoing person who puts pages together; no recognition of any of the production team, except for our manager. I felt slighted, to say the least.
Composing is usually the least prestigious part of most newspapers. Composing and distribution. We're the magic elves who make the thing look pretty, who make sure it gets to the press and the ones who deliver it to your mailbox. We don't sell advertising and bring the money in. We don't have the celebrity caché of the reporters, who rub elbows with the big wigs in town. We just hunker down and do our jobs and basically get ignored by everyone else. If we screw up we sure hear about it; but there is no morale-boosting bonuses or recognition. We just toil away in the salt mines and dream about pats on the back.
Last week was kind of bizzare, though. Last week we had a union vote at work. The lines of warfare were evenly distributed between advertising, which is generally company-oriented, and editorial, which is generally union-oriented. The wild card in the mix was production. Nobody knew how we were going to vote. Suddenly we were the most popular kids on the block. People in editorial who barely said good morning to us were suddenly greeting us with smiles at the back door. The company head honcho was sending us e-mails saying "Dear Colleagues" beseeching us to consider not voting for the union. We felt uncomfortable but very popular. I actually took the opportunity to send an e-mail to the head honcho, pointing out that we were generally ignored by the company and perhaps the occasional pat on the back or including us more often as part of the team would be a good idea. I got a great response to the e-mail. I thought my message got through.
And then yesterday. No acknowledgement whatsoever of the part composing plays in the new newspaper. I wondered how to react. Should I just ignore the situation? Should I demand that pat on the back, that blue "I lost 10 pounds" ribbon?
Hell yes. I earned it. I deserve it. I am just as important as anybody else. Every time I allow myself to be treated like a doormat reinforces the idea that it's okay to treat me as a doormat. It's hard to ask for recognition. One most levels I believe good work should stand on its own merits; that my own satisfaction is enough – who cares what someone else thinks? But deep in my heart of hearts I am still that child who seeks approval from her parents, from her teacher, from everyone.
It's just a stupid ribbon.
But it's mine.
Friday, November 13, 2009
Ghost Town

I was in Haliburton today, Martha.
And nothing was the same without you in it.
The Echo office looked the same from the outside. It was a sunny day and the little blue house on the hill still gazed out over Head Lake, the blue siding matching the blue water, the sky above the same sheer cyan. The back parking lot was still full of cars. I watched a customer hurry across the porch and go through the front door, a sheaf of papers in hand. Maybe she had an appointment with the editor. Maybe she wanted to buy an ad. I don't know. It looked the same, that's all I know, but it felt ... different.
I saw one of the ad reps walking along the main drag, chatting and laughing with someone. She sort of caught my eye at the last second. Her face turned towards me but I averted my head, kept driving. I should have given her the Haliburton wave – you know, two fingers straight off from the steering wheel, a subtle nod.
When you know enough people in a small town, just giving them the wave is enough to make you look like a bobble-head doll smoking a cigarette, fingers and head up and down in time to some old Lionel Richie song on Canoe FM. I heard "Truly" today on the Canoe... only on the Canoe. I love that radio station. You hear Lionel Richie and Bach and Elvis all in a row. And the radio announcers don't have radio voices; they talk like your friends talk; and they screw up the pronounciation of weird places in Afghanistan just like the rest of us would screw it up.
No nods, though. Kept driving through town.
I dropped into Home Hardware to see my ex and buy some Christmas decorations for the new house. We had a coffee at Subway and the woman behind the counter was kinda flirting with him. I smiled and thought to myself, "Help yourself, lady." The coffee was surprisingly good and we talked about the kids and about Christmas coming up and then he said, "So, Martha's gone, eh."
"Yup," I said.
"It sucks."
"Yup."
You can tell," he said. "This place feels like it's falling apart without her."
Yup. I knew exactly what he meant.
Even on this beautiful day, the village seemed like a ghost town without you.
No surprise, eh?
You were here for what, 24 years? A remarkable length of time for anyone to be a the same community newspaper. Because we all know that community newspapers like the Echo are merely stepping stones for youngsters seeking greatness in larger ports. Nobody stays at the same paper for 24 years, Martha. You did. And that's admirable, but not remarkable.
What is remarkable is how you became this community's beating heart.
How your words crossed some invisible void that exists between the dry newsprint pages of a newspaper and became a living ink.
You won over the community, became the community, really, and in the process, you made what is deservedly and honestly one of the best community newspapers in all of Canada. That's not just hot air. That's more awards that anyone can count. In the business of community newspapers, you are recognized as the very best there is.
And I was so lucky, so incredibly lucky, Martha, to have worked with you.
I remember the first time we talked. I had given birth to my youngest son, Sam, only two weeks previous. So it was mid-September 2000. Sam and his brother, Angus, were both inside catching their afternoon naps and I was outside, catching a few Zs of my own, in the hammock. I was woken up by my mother waving a copy of Haliburton County Echo around.
"There's a job for you in here!" she said excitedly. "Take a look!"
Sure enough, there was a part-time job for a reporter/photographer. Weekend work. I thought about it after she left, then picked up the portable phone I had in my lap and called the Echo.
It was a fortuitous phone call.
We must have talked for half an hour. We made a connection. Instantly! It was like we had know each other all our lives! At the end of it, you said in your trademark, breathy, in-a-hurry voice, "Well, it was great talking with you! I'll let you know about the job!"
I hung up, grinning foolishly. Feeling buzzed, somehow. Because that's how it always is when I talk with you.
Suddenly the phone rang.
"Hi, it's me! Martha! I know you're perfect for this job! And I know this is going to grow into something bigger. Can you start this weekend?"
So there it was.
I was hired at the Echo from the comfort of my own hammock.
No resume. No dress suit or pantyhose. Come to think of it, I was probably still in my pajamas.
I have worked with a lot of great people in this business. Peter Hvidsten, publisher of the Port Perry Star, has to rank right up there with the best. He was my mentor, teaching me how to take better photos, how to improve my lay-outs, how to write better. He taught me how to love newspapers. No one before that point, including my journalism school teachers or anyone at my first job, had bothered to do that.
And no one did after that. No one until you.
You rekindled in me a real passion for the newspaper business. Your enthusiasm was contagious. Inspiring. You had no ego for yourself, no desire to be "THE EDITOR" with the power to bend people to your will. You listened to all ideas, from everyone... whether it was someone bending your ear at the grocery store, or the publisher of the paper, or someone in production, or me.
You see, that was your real talent. Not the writing... although your writing is the best there is.
Your real talent is listening to every idea. Every story. Every person who crosses your path. No matter who it is, or where you are, or what you're in the middle of doing... you take the time to stop and smile and listen to whatever it is they are saying. You never forget a name (if you do, you hide it well). You make that person feel like he or she is the most important person on the face of the earth. You make that person feel special. Like you are blood-sisters. Like you were meant to connect somehow on this earth. Like you were meant to be friends.
Look at the photos of us together, Martha, on this page, if you don't believe me. See that light in my eyes? I am in awe, I am bathed in the light that comes from you, I am feeling like the luckiest person on earth because I am talking to you.
I used to think I was special. But I realized how ridiculous this was on the night of your farewell celebration at the Haliburton Curling Club. How I felt... this light I am talking about ... I saw it in the faces of everyone who was there. You had touched every single one of these people, with the magic that is you.
I can't explain what your magic is. It just is. It's what makes you such a fine writer. It's what makes you such an incredible friend.
Martha, I miss you already.
We may not have talked all that often, but I carry a piece of you with me, every day.
You may have moved on to new adventures, but your passion for newspapers lives in my head and in my heart.
And, like the village of Haliburton, I will carry on.
But I will never be the same.
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